What It Means to Live – Hirayasumi – Manga Review

I’m a glutton for slice-of-life manga, and Keigo Shinzo’s Hirayasumi now ranks amongst my favorites in this genre.

A quick disclaimer: the manga is not yet complete, and I have only read the first seven volumes.

So, let’s get straight to the meat of it. What does “hirayasumi” mean? The word is actually a portmanteau of two Japanese words: hiraya, which means a single-story house, and yasumi, which means rest or break. The title of the series is, in fact, a literal reflection of the story’s main ethos, which is all about living a slow, peaceful, and carefree life. Our main characters, Hiroto and Natsumi, are cousins who live together in this cozy one-story home.

Hiroto inherits the house from Hanae Wada, an 81-year-old woman with whom he becomes acquainted and whom he affectionately calls “Granny.” The logic of an old woman giving away her inheritance for an acquaintance doesn’t make sense, and is the bait that drives you into Hiroto’s daily life. Within the walls of this one-story home, we get to indulge in Hiroto’s day-to-day exploits alongside his cousin, the people they befriend, and the unique circumstances that shape their lives.

Peppered throughout the story are flashbacks that capture Hiroto’s time with Wada and help inspire him to move forward with his life.

Besides Hiroto and Natsumi, there is an engaging cast of characters that Shinzo weaves into the story, each with their unique backstory and take on life. Despite their individual differences and personalities, the cast of Hirayasumi is connected by their insecurities. Each character’s story is riddled with subtle insecurities that shape their decisions and misadventures. These insecurities illustrate their alienation from life, a reality expressed through questions like, “Where am I going with my life?”

This is a common feature of the slice-of-life genre, but Hirayasumi provides a uniquely breathtaking and bittersweet experience as we immerse ourselves in the lives of these characters.

Behind Hiroto’s cheerful countenance, there is a deep sense of remorse and nostalgia for dreams and ambitions that he ultimately couldn’t live up to. In contrast, Hiroto’s cousin, Natsumi, endures the daily frustrations that accompany the pursuit of one’s dreams and expectations.

Similarly, with the other characters we meet in Hirayasumi, there are diverse worlds to explore, all centered on the fragility and, by consequence, the beauty of life: its uncertainty. The manga’s art style complements the characters’ ordinary yet raw and genuine emotions. For my part, I related most to Hiroto’s remorse over an unfulfilled dream and Natsumi’s frustrations as a creative trying to establish her future. Hiroto’s struggle to find closure and Natsumi’s efforts to cultivate her own path truly struck a chord in my heart.

Writing, especially in recent times, is a career filled with uncertainty, and there are days I find myself questioning my own resolve and drive. Hirayasumi has much of that emotion and more. There is also a point to be made about how the main characters fall back on their relationships to anchor their resolve. Friends, family, and connections can take us a long way and help resolve our personal insecurities and misgivings in the most unexpected ways.

Most importantly, to the extent I have read so far, the manga emphasizes the importance of being willing to take a shot at your dreams. Every chapter offers the reader something memorable for contemplation, be it the nostalgia of younger days gone by or the simple pleasures of life we often miss. Much like how Winnie-the-Pooh says, “Don’t underestimate the value of Doing Nothing, of just going along, listening to all the things you can’t hear, and not bothering,” Hirayasumi reiterates, “Don’t pointless things have a place, too, in this far-from-perfect world?”

In today’s fast-paced world, where we all face the pressures of living up to the judgments and stereotypes that proliferate in society, Hirayasumi reminds us that sometimes, taking a step back, enjoying the moment, even when it means simply “doing nothing”, holds genuine value.

With an upcoming anime adaptation set to premiere in January 2027, Hirayasumi is a gem of a manga by Keigo Shinzo, and I highly recommend it for all you slice-of-life savants out there. A live-action adaptation is also available on Prime Video, covering content up to the first 6 volumes of the manga.

There and Back Again

A writer’s journey towards finding purpose

Recently, I have been binging Peter Jackson’s “The Lord of the Rings”, and by that, I mean, having it playing in the background throughout the day. Relistening to the familiar scenes made one thing clear to me: the last decade of my life is no different than a Baggins’ adventure.

“It’s a dangerous business, Frodo, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.”

Bilbo was right about that one. I have experienced a lot of being “swept off” over the last few years. The latest twist in my journey came right around today except in late 2024: I got laid off from my job.

Now, getting laid off is a dangerous business, and it can do a lot to you. When the Balrog of Unemployment came trotting along, my wife consoled me, and I did my best Gandalf the Grey impression as I fell into a pit of depression:

Unfortunately, the popular mantra of “this too shall pass” didn’t stand a chance in my confrontation with this demon of the corporate world for it certainly “did not pass.” Getting laid off meant a lot of things. For one, it emptied a large portion of my savings. Second, it scrambled my brain and packed a wallop of stress. Sounds terrible, yes. But there was still hope.

So, while I sat there, much like Frodo,

In my case, replace “the ring” with “the lay off”.

I realized something else:

And I did. I got perspective. A year’s worth of bountiful perspective when all I could do was to continue walking and seeking. Being lost was the first step to finding the right path, and this was undoubtedly my eureka moment. Being unemployed helped me realize what I really wanted my day-to-day life to be. To make it happen, I had to wait patiently and bid my time.

It was challenging but I somehow persevered, and a job prospect, much like the esteemed reputation of the wizards of Middle-Earth arrived precisely when it had to.

So, what exactly am I up to?

Well, I’m diving headfirst into a full-time writing career. Freelancing is one way to put it, but I get to try the entire palette, at least from the writer’s perspective. The opportunities that await are multifaceted with a tablespoon of science writing, a teaspoon of script writing, a dash of tutoring, and a boat load of creative writing and art.

The journey up to this point has been very much a “there and back again” tale. Yes, there is a veritable measure of uncertainty attached to freelancing. Still, I’ve realized it offers me the freedom to indulge in my creative spirit as an individual and flexibly juggle my responsibilities as a father. Do enough of it and the savings eventually start adding up too. Further twists may yet come to pass, but for now, I’m more committed than ever before toward my writing and creative aspirations. As such, it felt great to jump into the tail end of the year by sharing with you my latest success in the science writing realm.

I’ve always enjoyed writing about the what and why of science, but now and then, I love taking a deep dive into the how. How did we get to where we are now? Whose contributions have set the foundations for modern-day innovation and knowledge?

Science history allows writers to unravel stories of the past. This year, I got the chance to do the same with a lesser-known ancient scholar, and the first of the major mathematician-astronomers of the Indian subcontinent: Aryabhata. From explaining solar and lunar eclipses to proposing Earth’s rotation, Aryabhata was far ahead of his peers. His contributions to astronomy and mathematics profoundly influenced Middle Eastern and Western thought.

I’m all the merrier to wrap up this year with the opportunity to publish a feature about this great scholar in the December 2025 issue of Sky & Telescope magazine. It is now available at your nearest bookstore! You can order your copy here.

Let’s stop here for today. This is just a taste of what is to come. After all, keeping up with the Lord of the Rings metaphors,

All in preparation for what will be a glorious 2026.

Writing with a brick in my head

Writing with a brick in my head or taking a long walk down Stumped avenue, call it what you may, writer’s block is ultimately a frustrating experience. Supplement it with a dash of stubbornness, a pinch of OCD, and you have the annoyingly difficult jigsaw puzzle that was my writing process over the last week and a half.

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July will mark a year since I began writing the first draft of a script for my comic book and currently active writing project. There still remains a mountain of obstacles to climb considering the drawing portions that I have yet to begin. For the most part, I was thankful that compared to my earlier autobiographical efforts in Our Last Summer and A Little Bit of Everything, my pacing and writing were hitting the right chord.

At first, I attributed this to a different writing approach, revolving around heavy sessions of brainstorming and research, followed by focused writing.

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This was the complete opposite to the free writing that propelled my earlier projects.

I felt the change was all the more necessary and obvious as this comic book script was my initiation in writing a third-person narrative. On the outset, there were promising signs that I would scrape through this project without a detour down Block canyon, and that’s where I jinxed it. Dark clouds loomed along the horizon, and soon enough I was tumbling downwards in what seemed to be an endless spiral of frustration in my existential struggle to piece together the crux and climactic portion of the story.

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It cannot be…How could I have let this happen? 

As usual, I fell prey to something that I had repeatedly advised myself to avoid: to let my ideas and thoughts, and not my research, shape the story. As integral as it had been for me to do extensive research on the fantasy elements I wished to include in my story, I had failed to keep up with my resolution in only allowing my creativity to guide my writing, and be inspired from what I learned from external references. Writing in the fantasy genre is an amazing experience, especially when there is so much material out there that just captivates one’s imagination. Somewhere along the way, I had lost the plot, and had allowed my research to limit rather than enhance my writing.

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A stern beat down from my in-house editor and partner woke me up and made me realize the solution was staring me right in the face. 

What did I learn? Writer’s block is not fun. But, stressing about it ain’t going to help either. What matters is that one is willing to take a step back, to gain perspective, before stepping forward again. While this may be counter-intuitive, and for my fellow stubborn writers out there who like me (initially) may believe it an ostensible wasting of one’s time, it is very important to take a step back and approach your writing as though you were an impartial audience member. 

Just as in science, where complicated problems often exercise a simple and elegant solution, the same could be said of writing. This is a familiar piece of advice for those entrenched in figure drawing where instructors often grill the student to take a step back and look at their work in progress to gain perspective and incentive in proceeding forward. The same applies for the mind as well, all I had to do was step back, take it easy, and, as Major Armstrong would likely agree,

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 Revel in the the truth and justice that is your sparkling freedom in writing. 

 

 

Book Review – Redwall – A Journey In Childhood Nostalgia

“It was the summer of the late rose.” The year was 2002, and I was a scrawny 11-year-old kid, sitting in a corner at the school library, fully immersed in Brian Jacques’ Redwall. A year had passed since my family and I first arrived in Cairo, Egypt. I was admitted at the Cairo American College (CAC) International school to complete my elementary and middle school education. The lack of a strong foundation in spoken and written English led to my registration in the English as a Second Language (ESL) program. The school library, with its treasure trove of books and resources (I hadn’t actually ever visited a library in my life till then), would naturally become a second home in my efforts to improve my hold over the English language.

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My finding of Redwall was preceded by my discovery of another great literary work in J.R.R. Tolkien’s Lord of the Rings. I was largely drawn to the illustrations on the book cover, alongside the descriptive maps in the appendix. Jousting my way through the first few pages of The Fellowship of the Ring I would ultimately give up, confused and frustrated in my inability to understand the contents.  A friendly librarian would see to it that my efforts weren’t wasted, suggesting an easier (and more suitable) read of the fantasy genre in Brian Jacques’ Redwall. Thus began my adventures with the peaceful creatures of Redwall Abbey, a journey that continues to this day.

Redwall follows the tale of a young mouse named Matthias who dreams of adventures as opposed to the quiet and peaceful life of servitude he is advised to follow by his mentors and the inhabitants of Redwall Abbey. When the abbey’s tranquil atmosphere is destroyed by the coming of Cluny the Scourge, an evil-one eyed rat warlord, Matthias must find the courage necessary in himself to step forward, become the champion of the abbey, and protect his family and loved ones.

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The primary theme of Redwall is centered on the triumph of good over evil. Jacques does not shy away from describing the harsh realities of battle, and death through the medieval setting upon which the peaceful mice, badgers, voles, hares, squirrels, sparrows, and moles fight and defeat the violent rats, weasels, snakes, stoats, and ferrets.Jacques follows the traditional template of the monomyth or the hero’s journey in his protagonist, Matthias. Matthias’ story begins at Redwall Abbey but the impending danger upon Cluny’s arrival sends him on a journey through the heart of Mossflower Woods, deep within the forests, where he faces and succeeds in the hero’s challenge to obtain the courage required to save the abbey and vanquish its enemies.

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“Imagination is a gift given to us from God and each one of us use it differently.”

Jacques’ vivid descriptions of his characters, as well as his unique style in combining action, poetry, and songs makes for a wonderful read for both children and adults alike. It comes of no surprise then that Jacques’ Redwall  was originally dedicated to his friends, the children of the Royal Wavertree School for the Blind, whom he first met while working as a milkman. The success of Redwall kick-started the growth of a 22-book series that now has a lasting legacy as among the best of children’s fantasy novels.

Reading Redwall in 2002, I was captivated by the world Jacques’ had constructed in his novel. Now, almost 17 years down the road and having recently re-read the novel, I cannot deny the childhood nostalgia that sums my experience of Redwall and the influence it has had in my own efforts to writing books in the fantasy genre for a diverse audience. The enduring cast of Redwall characters, their trials and tribulations, and their ultimate success provide, in my humble opinion, valuable lessons in courage, love, peace, family, and freedom. While the overall series may be guilty, on certain occasions, of recycling old plot lines and propagating an obvious pattern of predictability, Jacques’ Redwall sets the stage for an unforgettable journey alongside memorable and diverse characters in a story that is full of heart.

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