Tag: Figure drawing

The Shining, Turning 29, Magical Beans, and everything else!

It has been a productive affair at the working-from-home factory these past two weeks. Let’s get right into it.

The Shining

Upon insistence from a good friend, I finally read my first Stephen King novel in The Shining. Having watched Stanley Kubrick’s adaptation of the novel, I went into it expecting a little of the same and was pleasantly surprised by the major differences I found between the adaptation and the original.

Under the current circumstances of working from home and pandemic regulations, the book certainly left its impact with its vivid imagery of psychological terror during isolation. Simply, I enjoyed the novel despite the periodic lulls in tempo I felt throughout the middle-course of the plot before the rising crescendo to an awesome finale. 

Having spent much of the last two weeks doing a fair bit of brainstorming on my word-processor for my new novel, alongside late night story-boarding sessions for my comic book, I couldn’t help but relate to Jack Torrance’s frustrations on getting his writing done, and “correcting” my artwork.

Turning 29

The last week of June also witnessed a great feast hosted by my partner in celebration of my birthday. 29 years old and catching up to the 30 mark, it was a nice and simple celebration at home.

Looking through some old photos amped-up the nostalgia factor. It felt like only yesterday that I had arrived in Edmonton (10 years ago to boot) ready to start my undergraduate studies at the University of Alberta.

I couldn’t help but feel a measure of pride in thinking how far I had come in my journey. I also felt humbled and thankful to everyone who had helped me get to where I am today. The very same people continue to motivate me, even now, to persevere and work hard toward my dreams and goals.

So, a huge thank you to my loving partner, Leina, my ever-loyal family, my rambunctious and motley crew of dedicated friends, and my mentors and teachers who continue to provide me valuable lessons to this day. You guys are the best support crew anyone can ask for and I count myself lucky to have such a family.

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Magical Beans

They say with age comes patience but despite turning the leaf over another biological year in my life, patience wasn’t a luxury in my latest exploits in figure drawing.I managed to knock some sense into myself eventually but until then I was mostly slamming my head into a wall trying my best to overcome my difficulties with the next set of lessons in figure drawing.

These lessons covered the magical beans to be dissected in analyzing the human figure, and I wished it was as easy as advertised on screen.

Good news is I’ve discovered the up-time in my ability to learn a new skill in figure drawing checks in at a consistent four to five day basis. Bad news? I still suffer the Jack Torrance fever when it comes to being patient about getting to the next stage, and will have “correct” said behavior. I can mostly chalk it up to my eagerness and enthusiasm to get better as fast as possible.

Moving on from these magical beans, my gesture drawing has been seeing better days, as I now embark upon the next set of lessons on observing the basic structural forms of anatomy, starting with an assignment in drawing animals!

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45 second gestures. Still got a ways to go…

Everything else

Progress always helps, and having researched a good bit on the subject matter of my new novel, I have been able to brainstorm a good bit and all that remains is to tie up the initial threads to the plot following the main character. Meanwhile, my comic book seems to be going in reverse as I unravel the plot threads in the process of fleshing out the artwork in large storyboards with my amateurish drawings  (for now, at least). 

With that, the curtain falls upon the happening of these last two weeks. I hope to see you all very soon with another post!

The art of Kim Jung Gi

For this post, I’m going to go short and sweet by being faithful to the old adage that “a picture is worth a thousand words.”

I came across Kim Jung Gi’s artwork back in 2016 during my first visit to Vancouver B.C. Taking cover from the torrential rain that day, my partner and I entertained a long detour through the Vancouver Art Gallery.

We spent almost two hours walking along the various corridors hosting a massive collection of diverse artists and their works. Our final destination would bring us to the section dedicated to artists within the manga/anime genre, and that is where I came across this,

and many more,

Never had I felt so engrossed into the details of an art piece. The details were dynamic and there were radical shifts from one point to another. Yet, despite these fluctuations, there was also an exceeding sense of balance in Kim Jung Gi’s artwork that provided insight into his creative process from the small to the large.

For a guy like me, who loves his astrophysics, this correspondence of the mechanics of the small and large pieces of the work only drew me in further. The gallery had a small TV showing Kim Jung Gi’s approach, and it floored me to see that the man literally drew from memory. Discussing his art work that day,  my partner and I would relate a classic conversation from Dragonball Z as an analogy of Kim Jung Gi’s artistic power levels:

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Me
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My partner

Over the last week, I’ve had a chance to improve a little further in my own journey through figure drawing. 

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From this…
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To this…

It is in these moments that I draw inspiration from artists like Kim Jung Gi. While his art may be daunting to the eyes of an amateur, I cannot deny that in following up with the man’s biography, what has often been casually cataloged as innate talent, is in fact an amalgamation of hard work, dedication, and perseverance.

There is still a long way to go on the road to mastery as I’ve been told repeatedly by my peers and mentors. At the same, I’ve also been equally advised,

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I guess that’s what makes the whole aspect of it so much fun as by being an artist you get to continually expand your horizons to your personal liking. In the artistic realm, Kim Jung Gi has one heck of a mileage owing to his near crazy dedication to art which he developed as a hobby and now a life-long career. I hope to do the same on my own end, and even if I were to never reach his level, I could say I take satisfaction in the all the minute details of the experience for the larger part of what it is: a story of its own.

For those among my readers interested in finding more of Kim Jung Gi’s artwork, his sketchbooks are an awesome portal into his world.

Touching base with Pencil and Paper

When I was young, I spent a good chunk of time at my grandparents. It helped that their house was situated right next to ours, and my grandfather’s collection of weekly kids comics and magazines were an abundant source of entertainment and inspiration for the kid in me.

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My grandfather collected enough of these that we probably had over 500 of these thin magazines stacked up in a corner of the storage room.

Drawing came naturally to me back then, and I took any chance with a blank paper to draw whatever caught my eye. My grandfather fueled my imagination by sharing folk tales of old and just about everything that he knew while my grandmother indulged me with all the treats she could make to keep me energized with a full tummy.

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Being a Christian, my grandfather often shared his unique perspectives on the Bible. As a kid, the stories came off more as an epic fantasy, leading me to draw this rendition of Jesus and Simon Peter, no doubt referenced from an illustrated bible at his home.

As the years passed, my interest in drawing gradually took a backseat to my newfound love for writing. Rather than transpose what I felt was a simplified projection of my imagination onto paper, I felt it better to immerse in my imagination as a whole through writing. I was naive to think that between writing and art, one was lesser than the other.

Now, I have come full circle in realizing that art and writing are just two faces of the same coin. It is particularly sweet that I struck upon this knowledge in the process of completing the script to the graphic novel I have been developing over the last two years, and intend to dedicate in memory of my grandfather.

I have spent the last few weeks touching base with old friends in Pencil and Paper. It has been a difficult reunion to say the least, but we are gradually patching a decade of our on-and-off relationship in a newfound resolve to build a strong foundation for the future.

Frustration has been a loyal companion, but I’ve also used it as a source of motivation.

Firstly, I had to start by identifying the relevant skills I required to transition into the “graphical” aspect of my graphic novel. Phase Infinity, as I now call it, has all the characteristics of a long and arduous journey through diverse art courses intended to boost my amateurish skills while simultaneously churning out the artwork for my graphic novel.

To be honest, I find the final product to be a goal for the distant future. This isn’t necessarily discouraging as it is my first attempt after all. What has been annoying though is the persistent need to be overly critical about my work and for lack of any other word, too stiff and tight about my daily progress.

Figure drawing is my first priority as of this moment, and I have been enjoying it in all its gestures and forms. Consistency is the word for the rest of my year, as I hope to amass daily practice sessions.

Steve Huston has been my hero on this front, and I highly advice his books to my fellow artists among my readers.

Learning the human anatomy from an artistic perspective has also opened the door to some philosophy. Gesture drawing, in particular, has helped me embrace the fluid nature of our environments and our very bodies. For someone who has been enamored with the axiomiatic logistics of science and mathematics over the last decade or so, figure drawing has provided a refreshing, and new perspective of the world and its motions and rhythm.

Being a fan of Bruce and his philosophies, these two messages became screensavers of sort throughout my artistic process.

Being a fan of Bruce, these two messages which aligned with the philosophy of gesture drawing became de facto screensavers in my mind throughout my artistic process.

That is all for today! I will keep you all updated with my struggles in art-realm over the coming weeks by sharing some of my art work in the Art Corner, as well as a review in my next post of one of my favorite artists in Kim Jung Gi.

Adventures in Drawing – A New Beginning

Previously on “Adventures in Drawing,” I discussed several matters of art. I specifically placed emphasis on the three valuable lessons of learning to actively see things, the value of repetition, and drawing what one sees, not what one knows.

The second half of the drawing course followed the application of said rules with a series of projects. I had the wonderful opportunity to test my skills with various mediums from charcoal, graphite, and conté sticks. Along for the ride came an assortment of healthy drawing techniques I had learned earlier involving the use of guidelines, the ability to delineate depth and active perception in objects, as well as blind contour drawing etc. All in all, I thoroughly enjoyed the opportunity to test my skills with the various media (Figures 1-2).

Figure 1. Man’s best friend (using charcoal, and graphite). 

 

Having completed the course, I can certainly say that my knowledge, and library of resources pertaining to drawing has grown exponentially. If there is a takeaway message from my experiences so far, it would be the following: simply put, anyone can be an artist. All you need is an HB pencil, a sketchbook, and a little bit of incentive. Most importantly, practice makes perfect.

In my opinion, I view drawing, and art, in general, as a personal interpretation of one’s environment, and imagination; a realm of infinite possibilities. The uniqueness factor of one’s works is dictated not through the judgment of external critics but rather one’s own individuality. Thus, you have nothing to fear in the criticism of your own doodles. We are all artists in our own measure. As Mason Cooley put it, “Art begins with imitation, and ends in innovation.”

Figure 2. Unfinished swimmer (using conté sticks)

With every passing day, I get closer to achieving the same with my artwork. Once again, I’ve learned that practice makes perfect. (On a side note, it also helps to have an encouraging partner, especially one who goes out of their way to buy you a legit Japanese manga kit but I digress.) If I could briefly summarize the steps that I have taken so far in my journey in drawing, and that I wish to share to my fellow aspiring artists, they would be:

(1) Start with doodles, and doodle frequently. Sketch whatever you wish to sketch. Freedom of imagination, and action is important in drawing.

(2) Get a few guide books on the side, or even better, just parse through the overwhelming history of artists, and their works that we can readily find information about on the WWW (world-wide-web).

(3) Trying a short, and supplementary course is highly beneficial too. Learning drawing also involves the communication of ideas, and techniques. (Check out the arts center in your city. If you don’t have one, Udemy is a wonderful online resource for awesome, and cheap courses. And if that doesn’t work, then it’s even more simple, learn from nature, and become your own artist. There’s no limit to human creativity, and imagination.)

(4) Aggregate the lessons you learn in infinitesimal steps, and integrate them toward a full learning experience.

Moving on from here, I intend to eagerly pursue my dream of becoming a mangaka in the future. For those among my readers who are avid comic fans, and are particularly interested in making their own comics, I highly suggest the constructive anatomy, and figure drawing books written by Burne Hogarth, and George Bridgman (shown below) to get you started.

But after all is said, and done, remember to relax, and just have fun with it!

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